~ Influence Central received complimentary admission to the Boston Ballet to facilitate this review. All opinions expressed here are our own.
To some, hearing the word “ballet” immediately brings to mind images of sugarplums and tutus. Don’t be ashamed if you’re one of those people; just know after seeing Edge of Vision as performed by the Boston Ballet, your entire outlook on ballet will likely change.
Showcasing at the Boston Opera House through May 10th, Mikko Nissinen’s Edge of Vision combines stunningly simplistic visuals with dynamic choreography across three distinctive acts. As mentioned, ballets come with certain prejudices as far as the music and choreography are concerned, but Edge of Vision puts those prejudices to rest. From the moment the curtain went up, I was blown away with visuals, movement, and sound. I’ve requested to rename this production Edge of My Seat because that’s where I found myself before each intermission.
Comprised of three works (Eventide, Bach Cello Suites, and Celts), Edge of Vision has something for everyone. For the music lover in your life, Edge of Vision covers three musical genres throughout the two-hour performance. Interested in art and color composition? Edge of Vision presents stunning set and costume design that conveys the storylines perfectly.
Worthy of their own recognition, the Boston Ballet dancers are truly remarkable athletes and artists who paint pictures on stage. It amazes me, the amount of physical activity they perform on a daily basis and how gracefully it’s done. Whether 30 dancers are on stage, or just one or two, there emits a sense of strength and unity when they move that is spectacular to watch from the audience.
Overall, Edge of Vision is a must-see this week for anyone living in or traveling through the Boston area. A night at the ballet, especially the Boston Ballet, proves an unforgettable experience time and time again.
For more information on Edge of Vision, or the Boston Ballet in general, visit their website, or follow them on Facebook or Twitter.
Written by: Owen Kauppila
Photos by: Rosalie O’Connor (Boston Ballet)
Featured photo: Shutter Stock