ARTIFACTS by Natalie Lemle

4 stars

This novel blends archaeology, stolen artifacts, black market art sales, organized crime, and shady museum donations to generate charitable deductions, all wrapped in a complex plot involving a dig in the Italian alps.

During a summer at Columbia University, classist student Lena Connolly goes to work on a dig in the Italian alps with her art history professor, Cyrille. There’s tension at the dig between American Cyrille, who’s focused on the pre-Roman historical and religious significance of the site and Italian Pietro who wants to show its provincial importance. There Lena falls in love with Giamma, a handsome local boy who’s both pursuing a Ph.D. in art history in Columbia while currently taking time out of his studies to help out his Dad who’s a leader in the ’Ndragheta, a large Calabrian crime syndicate. Lena knows looting has occurred at the dig site, but she still helps Giamma get a valuable blackmarket artifact into France. Wrapped in much mystery and intrigue, Cyrille vanishes one night from the site never to be seen again.

Fast forward and Lena’s a seasoned estate attorney in New York City, working to defend Fordham University from having to repatriate to Italy a rare dichroic glass chalice. Turns out that this artifact and other donated connect back to the Italian Alps dig, possible looting, and the Italian mafia.

There’s much Roman and Greek history to take in, along with mythology, gods and goddesses, politics and religious and culture tensions between the Romans and those they conquered. But the plot does get overly convoluted as it jumps back and forth in time, with constant new revelations creating murkiness as to what actually transpired. And the character development proves thin, and Lena’s character questionable. For instance you being left wondering at the naiveness and lack of morality of Lena as she both accepts $18,00 for helping get a looted artifact out of Italy and at the same time never realizes how much organized crime wraps into this or questions the foundations of her own morality.

At the very heart of the novel is the much larger question of artifacts themselves: should they be housed in their country of origin or where most people will be able to see and appreciate them; how much responsibility do museums have for tracing back provenance or spotting fraud produced documents of origin; what role does organized crime play in using artifacts to launder money? The ethics ambiguity leaves much to muse over.

Thanks to Simon & Schuster and NetGalley for an advanced reader’s copy.

Stacy DeBroff

Stacy DeBroff, founder and CEO of Mom Central.com and social and digital consultancy, Influence Central, is a social media strategist, attorney, and best-selling parenting author. A sought-after expert for national media, she trend-spots regularly with national brands and speaks frequently to national and international audiences on a wide range of subjects, including influencer marketing, social media, entrepreneurship, and consumer trends. A passionate cook, gardener, reader, and tennis player, she adores this new chapter of post-college-age parenting.